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The following other wikis use this file: Usage on es.wikipedia.org Anni Albers; Usuario:Carolina db/Taller; Mujeres de la Bauhaus; Usage on eu.wikipedia.org
In 1925, Fleischmann married Josef Albers, the latter having rapidly become a "Junior Master" at the Bauhaus. [6] The school moved to Dessau in 1926, and a new focus on production rather than craft at the Bauhaus prompted Anni Albers to develop many functionally unique textiles combining properties of light reflection, sound absorption, durability, and minimized wrinkling and warping tendencies.
A drawback of a tool board is that it may occupy a large area on a wall, and that the tools can get less protection from dust. Some recommend to hang heavier tools like hammers at the bottom, [2] [3] and especially wooden tool boards may bend or break from heavy tools if the board is made of fiberboard or other weaker materials. [1]
The 19 December 1968 Press release by the Museum of Modern Art for the exhibition Wall Hangings states: "During the last 10 years, developments in weaving have caused us to revise our concepts of this craft and view the work within the context of twenty-first century art. The weavers from eight countries represented in this exhibition are not ...
English: Anni Albers (1899–1994) Design for a Silk Tapestry 1926 Transparent and opaque watercolour over graphite on cream wove paper Image: 39.5 x 26 cm Sheet: 47.8 x 31.7 cm Harvard Art Museums, Cambridge, Massachusetts
Josef Albers (/ ˈ æ l b ər z / AL-bərz, US also / ˈ ɑː l-/ AHL-, German: [ˈjoːzɛf ˈʔalbɐs]; March 19, 1888 – March 25, 1976) was a German-born American artist and educator who is considered one of the most influential 20th-century art teachers in the United States.
English: Anni Albers (1899–1994) Design for a Jacquard Weaving 1926 Black ink, transparent and opaque watercolour and graphite on cream wove paper Image: 25.8 x 16.3 cm Sheet: 34.3 x 28.6 cm Harvard Art Museums, Cambridge, Massachusetts
Sheila Hicks at the Musée Carnavalet, Paris, 2016. Photograph by Cristobal Zanartu. From 1959 to 1964 she resided and worked in Mexico; She moved to Taxco el Viejo, Mexico [7] where she began weaving, painting, and teaching at the National Autonomous University of Mexico (UNAM) at the invitation of Mathias Goeritz who also introduced her to the architects Luis Barragán and Ricardo Legorreta ...
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