Search results
Results from the WOW.Com Content Network
Recent scholarship has noted that, although surviving early examples are now uncommon, generally human figurative art was a continuous tradition in Islamic lands (such as in literature, science, and history); as early as the 8th century, such art flourished during the Abbasid Caliphate (c. 749 - 1258, across Spain, North Africa, Egypt, Syria ...
As in the art history of Europe, "miniature" is generally reserved for images including people, with abstract or geometrical decorative schemes on the pages of books called "illumination". These are much more common, and less sensitive, often found in grand copies of the Quran, as for example in Ottoman illumination.
The Edinburgh manuscript has a total of five images depicting Muhammad, including the first miniature which shows the Prophet as he prohibits Nasīʾ (fol. 6v). [11] These illuminations are among the earliest depictions of Muhammad in Persian art. Abraham destroying the idols of the Sabians (Edinburgh University Library, MS Arab 161, folio 88v)
Jyllands-Posten Muhammad cartoons controversy (1 C, 28 P) Pages in category "Cultural depictions of Muhammad" The following 73 pages are in this category, out of 73 total.
Although the concept of "Islamic art" has been put into question by some modern art historians as a construct of Western cultural views, [9] [10] [11] the similarities between art produced at widely different times and places in the Muslim world, especially in the Islamic Golden Age, have been sufficient to keep the term in wide use as a useful ...
Govardhan, Emperor Jahangir visiting the ascetic Jadrup, c. 1616–1620 [1]. Mughal painting is a South Asian style of painting on paper made in to miniatures either as book illustrations or as single works to be kept in albums (), originating from the territory of the Mughal Empire in the Indian subcontinent.
Some bear the names of patrons; [48] for example, a 14th-century silver-inlaid brass bowl bears the name of Al-Nasir Muhammad, a 13th-century Mamluk Sultan. [52] A brass casket from early 13th-century Jazira , lavishly inlaid with silver, has four numeric dials; these formed part of a combination lock whose mechanism is now missing.
Originally, the album paintings and drawings within this collection were attributed to the name of Muhammad Siyah Qalam. The works bear either hastily written jottings or elegant nastaliq attributions to the name, with some including the title of Ustad or “the Master,” showing that the artist held some status.