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Universal Audio, Inc. was founded alongside the United Recording Corporation by Bill Putnam Sr. in 1958. Putnam’s intention was for Universal Audio to serve as United’s manufacturing arm, with the company initially operating out of the United Recording premises at 6050 Sunset Boulevard in Hollywood, California.
Bomb Factory Digital released an emulation of the LA-2 as part of their Classic Compressors for Pro Tools plug-in bundle. [14] This plug-in has since been re-branded as the Avid BF-2A. [15] Waves Audio released a software plug-in emulation of the Teletronix LA-2A with Chris Lord-Alge's personal presets as the CLA-2A Compressor/Limiter plug-in. [16]
Harmonically Enhanced Digital Audio (HEDA) is a class of digital recordings created by using modern digital harmonic enhancement technology. With the proliferation of harmonic enhancement algorithms, pioneered by Crane Song's Dave Hill, a new class of harmonic enhancement algorithms have emerged.
UAD-1/UAD-2(Universal Audio Digital)_, a series of Digital signal processor cards Uniform Appraisal Dataset , a specification for appraisal data on loans Autonomous University of Durango (Spanish: Universidad Autónoma de Durango ), a private university in Mexico with multiple campuses
Cubase SX2.0 also saw the introduction of Full PDC (plug-in delay compensation). Many plug-ins, particularly those which run on DSP Cards such as UAD-1 or Powercore, cannot process their audio within a 1-sample time period and thus introduce extra latency into the system.
The crest factor, which is the difference between the signal's peak and its average power, [31] is on occasions considered as a basis for the measure of micro-dynamics, for instance in the TT Dynamic Range Meter plug-in. [32] Finally, R 128 LRA has been repeatedly considered as a measure of macro-dynamics or dynamics in the musical sense.
A No-disc crack, No-CD crack or No-DVD crack is an executable file or a special "byte patcher" program which allows a user to circumvent certain Compact Disc and DVD copy protection schemes. They allow the user to run computer software without having to insert their required CD-ROM or DVD-ROM. This act is a form of software cracking.
The Gold highlighted many features aimed at music composition; ease-of-use (plug-and-play for musicians), real-time loopback-recording of the MIDI-synthesizer (with full freedom of Soundfonts, and environmental effects such as reverb, etc.), and bundled MIDI-software. The mainstream model was the Sound Blaster Live!