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All; all together, usually used in an orchestral or choral score when the orchestra or all of the voices come in at the same time, also seen in Baroque-era music where two instruments share the same copy of music, after one instrument has broken off to play a more advanced form: they both play together again at the point marked tutti.
The genre of orchestral song tends to longer programmed pieces than songs accompanied by piano. For this reason the orchestral song may be either a longer single song or, more commonly, a cycle. An example of a single long song text is found in Sibelius' tone poem Luonnotar. [5] Other examples include Grieg's Den Bergtekne, op. 32.
A sung-through stage musical, musical film, opera, or other work of performance art is one in which songs entirely or almost entirely replace any spoken dialogue. Conversations, speeches, and musings are communicated musically, for example through a combination of recitative , aria , and arioso .
A vocal score (or, more properly, piano-vocal score) is a reduction of the full score of a vocal work (e.g., opera, musical, oratorio, cantata, etc.) to show the vocal parts (solo and choral) on their staves and the orchestral parts in a piano reduction (usually for two hands) underneath the vocal parts; the purely orchestral sections of the ...
It would take until 1908 for Kahnt to agree publication the full scores of those songs with orchestral accompaniments, [28] and 1910 for these scores to appear, along with Mahler's settings of 'Revelge' and 'Der Tamboursg’sell' from Der Knaben Wunderhorn in Sieben Lieder aus letzter Zeit (Seven Songs of Latter Days) in 1910.
Recitative is a dialogue between a (usually) solo voice and an instrument or instruments. Usually the voice and instrument(s) alternate, or share a chord while one continues. In this way the speech-like rhythm of the singer does not need to be coordinated and synchronized with the instrument(s).
In reviewing Laufey’s August concert with the LA Philharmonic, Variety wrote, “Laufey feels like she was born to play the Hollywood Bowl, with her rapturously received pop/jazz/classical set.”
The score contains all the parts for the singers and the accompaniment parts and melodies for the orchestra. Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble , such as a concert band ) or of adapting music composed for another medium for an orchestra.