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Philippine folk literature refers to the traditional oral literature of the Filipino people.Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups, as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
The following is a list of gods, goddesses, deities, and many other divine, semi-divine, and important figures from classical Philippine mythology and indigenous Philippine folk religions collectively referred to as Diwatas whose expansive stories span from a hundred years ago to presumably thousands of years from modern times.
This is a list of folk heroes, a type of hero – real, fictional or mythological – with their name, personality and deeds embedded in the popular consciousness of a people, mentioned frequently in folk songs, folk tales and other folklore; and with modern trope status in literature, art and films.
In this tale, the Cinderella-like character is named Maria. The girl lives with her father and her mother. One day, his father falls in love with another woman and kills his wife, marrying the other woman and making her Maria's stepmother. The girl's family life becomes difficult for her, since the stepmother begins to impose hard tasks for her.
A host of mythological creatures occur in the mythologies from the Philippines. Philippine mythological creatures are the mythological beasts, monsters, and enchanted beings of more than 140 ethnic groups in the Philippines. Each ethnic people has their own unique set of belief systems, which includes the belief in various mythological creatures.
Depiction of Lam-Ang, the protagonist of Biag ni Lam-Ang, an Ilocano epic.. Philippine epic poetry is the body of epic poetry in Philippine literature.Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes.
Examples include the Biag ni Lam-ang and the Tale of Bernardo Carpio, where certain characters were imposed with Spanish names and influence. Interest in oral literature grew in the 21st century due to interest among the youth , coupled with literary works, television, radio, and social media.
The name also originates from an expression used for a severed torso. The manananggal is described as scary, often hideous, usually depicted as female, and always capable of severing its upper torso with its intestines trailing out and sprouting huge bat-like wings to fly into the night in search of its victims.