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Trade with India during the Pyu period brought deep cultural contacts heavily influencing many aspects of visual culture in Myanmar. However, scholarship and archaeology on Pyu, Mon and Dvaravati art in neighbouring Thailand were biased by colonial attitudes in the 20th century, placing a greater emphaisis on comparisons to well-documented Gupta art.
Founded in 1952, the five-storey museum has an extensive collection of ancient artifacts, ornaments, work of art, inscriptions and historic memorabilia, related to history, culture and civilization of Burmese people. [1] The main attraction of the museum is the only surviving original Lion Throne of the Burmese monarchs. There are more than ...
Besides the older National Museum of Myanmar in Yangon, it is the second of the two national museums for Burmese art, history and culture in Myanmar. [1] The construction of the museum was started on 3 June 2010, and the museum was opened on 15 July 2015. [2] The museum is open from 9:30 am to 4:30 pm, except on Mondays and public holidays.
Through various exhibitions, an online presentation and a publication programme, MPA has become known since 2013 for spreading Myanmar's photographic heritage, both on a local and an international level. With a collection of more than 30.000 images and other related material, MPA has become the largest archive for Myanmar's photographic history.
The university also accepts foreign students with an interest to study or do research in Burmese culture (e.g., Burmese dance, sculpture and traditional Burmese musical instruments, etc.) The number of students admitted annually is 250, 50 students for each major. [4]
Burmese ceramics refers to ceramic art and pottery designed or produced as a form of Burmese art. The tradition of Burmese ceramics dates back to the third millennium BCE. Pottery and ceramics were an essential part of the trade between Myanmar and its neighbours. The village of Kyaukmyaung (Sagaing) is an important traditional production centre.
Essentially, the museum houses ceramic art of Mon kingdoms including Martaban jars and Mon musical instruments that can only be seen in the world famous museums. Moreover, it exhibits a manuscript copy of Myazedi Stone Inscription (AD 1113) in Mon language and a replica of Ceremonial helmet of Queen regnant Shin Sawbu (the real one is at the V ...
Ba Kyi, FRSA (Burmese: ဘကြည် [ba̰ tɕì]; 17 July 1912 – 15 April 2000) was a well-known and prolific Burmese artist. He was initially trained in western painting, but in the post-World War II independence period, he initiated a revival of Traditional painting, borrowing from the Western training he had received as well as his own cultural heritage of painting styles and techniques.