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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
The Black Mountain poets were largely free of literary convention, a feature which defined contemporary American poets. [6] Their work became characterized by open form. [3] Olson's pedagogical approach to poetry emphasized the importance of personal experience and direct observation, something which greatly influenced the Black Mountain poets. [7]
They rejected Romantic and Victorian conventions, favoring precise imagery and clear, non-elevated language. [61] Ezra Pound formulated and promoted many precepts and ideas of Imagism. His "In a Station of the Metro" (Roberts & Jacobs, 717), written in 1916, is often used as an example of Imagist poetry: The apparition of these faces in the crowd;
The journal, published by Vishvanatha Kaviraja Institute of Comparative Literature and Aesthetics since 1977 as its official organ, addresses interdisciplinary and cross-cultural issues in literary understanding and interpretation, aesthetic theories, conceptual analysis of art, literature, philosophy, religion, mythology, history of ideas ...
Hélène Cixous first coined écriture féminine in her essay "The Laugh of the Medusa" (1975), where she asserts "woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies" because their sexual pleasure has been repressed and denied expression.
For example, in Northanger Abbey, she ridicules the plot improbabilities and rigid conventions of the Gothic novel. [5] However, she does not categorically reject the Gothic. As Austen scholar Claudia Johnson argues, Austen pokes fun at the "stock gothic machinery—storms, cabinets, curtains, manuscripts—with blithe amusement", but she takes ...
The language used when talking about aesthetics in art is limited. The lexicon is limited because it does not include femme and women identifying language. The language that does exist separates them as “female” artist. The examination of the need for there to be a separate field of feminist aesthetics is discussed.
Philosophy books by topic. Aesthetics literature. Epistemology literature. Ethics literature. Logic literature. Metaphysics literature. Philosophy of language literature.