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Asha (/ ˈ ʌ ʃ ə /) or arta (/ ˈ ɑːr t ə /; Avestan: 𐬀𐬴𐬀 Aṣ̌a / Arta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right' (or 'righteousness'), 'order' and 'right working'.
The Ashem vohu is overall the shortest of the four Gathic manthras. It is dedicated to asha, a central concept of Zoroastrianism. It consists of only twelve words which are arranged in an alliterative fashion. This may have helped ordinary people to more easily remember it. [5]
Zoroastrian music is a genre of religious music that accompanies religious and traditional rites among the Zoroastrian people. Although certain ancient Zoroastrian traditions show a negative approach towards Zoroastrian melodies such as the pre-Islamic pastorals and minstrels, Zoroastrian music has been in the religion since it was founded.
Atar is already evident in the Gathas, the oldest texts of the compendium of the Avesta and believed to have been composed by Zoroaster himself. At this juncture, as in the Yasna Haptanghaiti (the seven-chapter Yasna that structurally interrupts the Gathas and is linguistically as old as the Gathas themselves), atar is still—with only one exception—an abstract concept simply an instrument ...
Texts of the Avesta became available to European scholarship comparatively late, thus the study of Zoroastrianism in Western countries dates back to only the 18th century. [16] Abraham Hyacinthe Anquetil-Duperron travelled to India in 1755, and discovered the texts among Indian Zoroastrian communities. He published a set of French translations ...
These saviours are those who follow Ahura Mazda's teaching "with acts inspired by asha" (Yasna 48.12). Saoshyant first appears as a proper name in the Younger Avesta, [ 5 ] explicitly so in Yasht 13.129 where it is used in the singular and where Astvat-ereta develops into an alternate name of the Saoshyant.
This innermost core includes the 17 chapters of the Gathas, the oldest and most sacred texts of the Zoroastrian canon. Yasna 1–27.12 Yasna 27.13–27.15: three of the four of the most sacred Zoroastrian prayers Yasna 28–34: Gatha 1 Yasna 35–41: the "seven-chapter Yasna" Yasna 43–51,53: Gathas 2–5 (chapters 43–46, 47–50, 51 and 53)
The interactions between Judaism and Zoroastrianism resulted in transfer of religious ideas between the two religions and as a result, it is believed that Jews under Achaemenid rule were influenced by Zoroastrian angelology, demonology, eschatology, as well as Zoroastrian ideas about compensatory justice in life and after death. [211]