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John A. Rea wrote about the poem's "alliterative symmetry", citing as examples the second line's "hardest – hue – hold" and the seventh's "dawn – down – day"; he also points out how the "stressed vowel nuclei also contribute strongly to the structure of the poem" since the back round diphthongs bind the lines of the poem's first ...
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
Others, including one very early example in the Komatsu collection, depict the stages against a blank background with high precision, "diagrammatic in [their] presentation." [2]: 280 Kusōzu were probably shown to laypeople for the purpose of teaching the doctrine of impermanence in e-toki sessions, and displayed during the Obon festival.
Sang Sinxay, the most famous epic poem of Laos, was written around mid sixteenth century. [6] Franciade (French) by Pierre de Ronsard (1540s–1572) Os Lusíadas by Luís de Camões (c. 1572) [7] L'Amadigi by Bernardo Tasso (1560) La Araucana by Alonso de Ercilla y Zúñiga (1569–1589) La Gerusalemme liberata by Torquato Tasso (1575)
Essays in Idleness comprises a preface and 243 passages, varying in length from a single line to a few pages. [3] Kenkō, being a Buddhist monk, writes about Buddhist truths, and themes such as death and impermanence prevail in the work, although it also contains passages devoted to the beauty of nature as well as some accounts of humorous incidents.
However, many shorter poems have since been written. A notable example was composed by boxer Muhammad Ali. On June 4, 1975, after giving a speech at Harvard University, Ali was discussing poetry on stage with journalist George Plimpton. When asked for the shortest poem of all time, Plimpton recited "Fleas" as above, and Ali responded, "I've got ...
The poem was created as part of a friendly competition in which Shelley and fellow poet Horace Smith each created a poem on the subject of Egyptian pharaoh Ramesses II under the title of Ozymandias, the Greek name for the pharaoh. Shelley's poem explores the ravages of time and the oblivion to which the legacies of even the greatest are subject.
"Maxims I" (sometimes treated as three separate poems, "Maxims I, A, B and C") and "Maxims II" are pieces of Old English gnomic poetry. The poem "Maxims I" can be found in the Exeter Book and "Maxims II" is located in a lesser known manuscript, London, British Library, Cotton Tiberius B i.