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The first ever retrospective of his art outside of Italy, Vittore Carpaccio: Master Storyteller of Renaissance Venice was exhibited at Washington, D.C.'s National Gallery of Art, November 20, 2022 – February 12, 2023, with an accompanying exhibition catalog, Vittore Carpaccio: Paintings and Drawings. A comprehensive publication with the same ...
Two Venetian Ladies is an oil on panel painting by the Italian Renaissance artist Vittore Carpaccio. The painting, believed to be a quarter of the original work, was executed around 1490 and shows two unknown Venetian ladies. The top portion of the panel, called Hunting on the Lagoon is in the Getty Museum, and another matching panel is missing.
The Legend of Saint Ursula (Italian: Storie di sant'Orsola) is a series of nine large wall-paintings on canvas by the Italian Renaissance artist Vittore Carpaccio, commissioned by the Loredan family and originally created for the Scuola di Sant'Orsola (Ursula) in Venice, which was under their patronage.
The painting was commissioned for the Grand Hall of the Scuola Grande di San Giovanni Evangelista, the seat of the eponymous brotherhood in Venice.The commission included a total of nine large canvasses by prominent artists of the time, including Gentile Bellini, Perugino, Vittore Carpaccio, Giovanni Mansueti, Lazzaro Bastiani and Benedetto Rusconi.
Pages in category "Paintings by Vittore Carpaccio" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes. C.
St. Augustine in His Study (also called Vision of St. Augustine) is an oil and tempera on canvas painting by the Italian Renaissance artist Vittore Carpaccio housed in the Scuola di San Giorgio degli Schiavoni of Venice, northern Italy. The painting depicts St. Augustine while he has a vision while sitting in a large room filled with objects.
Young Knight in a Landscape, or Portrait of a Knight, is an oil on canvas painting by the Italian Renaissance artist Vittore Carpaccio, now in the Thyssen-Bornemisza Museum in Madrid. Dated 1510, this is the earliest full-length portrait in Western painting—on the assumption that it is a portrait, as it seems likely. It is characteristic of ...
Vittore Carpaccio's Saint George and the Dragon was part of a painting cycle that was commissioned in 1502 by the Scuola di San Giorgio degli Schiavoni.The Schiavoni (meaning "Slavs" in the Venetian dialect and referred specifically to the Dalmatians from the Dalmatia region of modern day Croatia) commissioned the Scuola deli Cycle during the time of the Ottoman wars in Europe. [1]
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