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See Rotta for the medieval lyre, or Rote for the fiddle. During the 11th to 15th century A.D., rotte (German) or rota (Spanish) referred to a triangular psaltery illustrated in the hands of King David and played by jongleurs (popular musicians who might play the music of troubadours) and cytharistas (Latin word for a musician who plays string instruments).
Kinnor (Hebrew: כִּנּוֹר kīnnōr) is an ancient Israelite musical instrument in the yoke lutes family, the first one to be mentioned in the Hebrew Bible.. Its exact identification is unclear, but in the modern day it is generally translated as "harp" or "lyre", [2]: 440 and associated with a type of lyre depicted in Israelite imagery, particularly the Bar Kokhba coins.
The Moon in the Labyrinth for harp and string quartet (or string orch.) [19] The Lyre of Orpheus for harp and string quartet (or for harp duo) [20] Fairy Tales for harp and flute (also piccolo) Five Pieces for harp, flute, and cello [21] Aurora for flute and harp [22] Bohuslav Martinů. Musique de Chambre No. 1 (clarinet, violin, viola, cello ...
The cythara is a wide group of stringed instruments of medieval and Renaissance Europe, including not only the lyre and harp but also necked, string instruments. [1] In fact, unless a medieval document gives an indication that it meant a necked instrument, then it likely was referring to a lyre.
The cithara is said to have been the invention of Apollo, the god of music. [7] Apollo is often depicted playing a cithara instead of a lyre, often dressed in a kitharode ’s formal robes. Kitharoidos , or Citharoedus , is an epithet given to Apollo, which means "lyre-singer" or "one who sings to the lyre".
The earliest reference to the word "lyre" is the Mycenaean Greek ru-ra-ta-e, meaning "lyrists" and written in the Linear B script. [5] In classical Greek, the word "lyre" could either refer specifically to an amateur instrument, which is a smaller version of the professional cithara and eastern-Aegean barbiton, or "lyre" can refer generally to all three instruments as a family. [6]
How the lyre was tuned is unknown. The only contemporary account of lyres comes from the Frankish monk and music theorist Hucbald in his book De Harmonica Institutione, written around 880 AD. In it he describes how he believes the Roman philosopher, Boethius (480–524 AD), would have tuned his six-string lyre. Whether how the Romans tuned ...
For example, begena teacher Memhr Sisay Demissae uses all ten strings to play the begena, while other players may use five or six of the strings. The left hand is used to pluck the strings. When all ten strings are plucked, one method of tuning the begena is to tune each pair of strings to one of the pitches in a pentatonic scale. When using ...
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