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Jesus Culture is a Christian revivalist youth-oriented organization that was formed at the Bethel Church of Redding, California, in the United States. Jesus Culture Ministry hosts conferences and operates a record label, Jesus Culture Music. In 2013, Jesus Culture moved to plant a church in Sacramento. Meetings started on September 14, 2014.
Shall We Dance is a 1937 American musical comedy film directed by Mark Sandrich.It is the seventh of the ten Fred Astaire-Ginger Rogers films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art.
Living With a Fire is the eleventh live album and thirteenth album overall by American worship group Jesus Culture.The album was released on August 31, 2018 by the group's imprint label, Jesus Culture Music alongside Capitol Christian Music Group and Sparrow Records.
The movie, Shall We Dance? (1995), from Japan, was named after and features the song.. In March 2021, Ariana DeBose released a reimagined recording and video of the song, produced and arranged by Justin Goldner and Benjamin Rauhala for the album R&H Goes Pop.
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The song is referred to by Pete Seeger in his 1989 book Everybody Says Freedom. It falls under the folk music genre, which was popular in the 1930s and 1940s and was revived in the 1960s during the civil rights movement. Music and singing were an integral part of the movement, many songs being adapted from earlier religious songs. [1] [5] [6] [7]
Sing for Freedom: The Story of the Civil Rights Movement Through Its Songs: Compiled and edited by Guy and Candie Carawan; foreword by Julian Bond (New South Books, 2007), comprising two classic collections of freedom songs: We Shall Overcome (1963) and Freedom Is A Constant Struggle (1968), reprinted in a single edition. The book includes a ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...