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Funny Girl is the soundtrack album to the 1968 musical film of the same name, performed by its star Barbra Streisand. Released on the vinyl album format in stereo in 1968, the soundtrack was subsequently released in quadraphonic sound vinyl, cassette, and compact disc. The titles "Second Hand Rose" and "Exit Music" are omitted from the ...
"Funny" is a song by German-Russian music producer Zedd and English singer Jasmine Thompson. The two artists wrote the song with Michael Pollack and Casey Smith, as well as Jordan K. Johnson, Marcus Lomax and Stefan Johnson from the American production and songwriting team The Monsters & Strangerz, who produced the song with Zedd.
Funny Girl is a musical with score by Jule Styne, lyrics by Bob Merrill, and book by Isobel Lennart, that first opened on Broadway in 1964. The semi-biographical plot is based on the life and career of comedian and Broadway star Fanny Brice , featuring her stormy relationship with entrepreneur and gambler Nicky Arnstein .
His biggest hit came in 1991, when he reached number one on the US Hot Dance Music/Club Play chart with "This Beat Is Hot". The single made it to number 72 on the U.S. Billboard Hot 100, and number 54 on the U.S. Billboard Hot Black singles chart. [2]
Funny Face is the soundtrack to the 1957 film of the same name, with music by George Gershwin, from his Broadway musical Funny Face (1927), and new songs composed by the film's producer Roger Edens, .
Rapper BG, who is living under federal supervision after serving an 11-year prison sentence, must submit future lyrics to the federal government for review.
Comedy music or musical comedy is a genre of music that is comical, comedic or humorous in nature. Its history can be traced back to the first century in ancient Greece and Rome, moving forward in time to the Medieval Period, Classical and Romantic eras, and the 20th century. Various forms of comedic musical theatre, including "musical play ...
In 2013, Complex added the song in its list of nineteen great songs made by teenage rappers in the last 19 years. Complex editor Kyle Kramer said "Featuring carefree money boasts over a spry Mannie Fresh beat, the song still sounds relevant today in the Young Money era, proving the staying power of both diamonds and youth."