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Mogu-Hua (Traditional Chinese: 沒骨畫, or 沒骨畵; Simplified Chinese: 没骨画; Pinyin: Mògǔ Huà; "Huà" means "to paint"), mainly mentions the painting or work has such style or created by such technique. [citation needed]
Wuxing painting is a style of Chinese painting that draws inspiration from the philosophical concept of the "five phases/elements" . Specifically, it combines the use of Chinese freehand brush work techniques and the metaphysics of the five wuxing elements. [ 1 ]
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
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Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.
Chao Shao-an or Zhao Shao'ang (Chinese: 趙少昂; 1905, Guangdong – 1998) was a Chinese artist of the Lingnan School of painting. Galleries that feature his work [ edit ]
"One-Corner" or "Ma's One-Corner" (Chinese traditional: 馬一角; Chinese simplified: 马一角）is a particular type of composition in traditional Chinese painting. It was popular in the Southern Song dynasty Imperial Academy Painting, and the painters pushed the actual subjects of the painting to one corner and set them against the empty background suggestive of mist or snow. [1]
Li Cheng did many landscape paintings with diluted ink, a technique called "treating ink like gold", which gives the appearance of a foggy dream world. In his day, he was considered the greatest landscape painter of all time. His paintings carried on an artistic dialogue with those of Wu Daoxuan. Li Cheng primarily portrayed the landscapes of ...