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The Japanese Lover is the eighteenth book by Chilean author Isabel Allende. [1] It was published in 2015 and recounts a wartime love story between a Polish woman and a Japanese American in the aftermath of the Nazi Invasion of Poland in 1939. The book is set in World War II. [2] Just like Allende's other books, it tells a story which spans decades.
Agnes Newton Keith (born Agnes Jones Goodwillie Newton; July 4, 1901 – March 30, 1982) was an American writer best known for her three autobiographical accounts of life in North Borneo (now Sabah) before, during, and after World War II.
Voiced by: Motomu Kiyokawa [3] (Japanese); Charlie Campbell [2] (English) An elderly sage and magician, and one of the famous Four Heroes of the Eastern Continent. [b] As the restaurant's very first patron, he is responsible for translating the Nekoya main menu entries into his world's language. His former pupil, the half-elf sorceress Victoria ...
Alice Turner Curtis (September 6, 1860 – July 10, 1958) was an American writer of juvenile historical fiction. She was probably best remembered by young readers of her day for The Little Maid's Historical Series (which comprises twenty-four books, starting with A Little Maid of Province Town).
Pages in category "Novels set during World War II" The following 200 pages are in this category, out of approximately 519 total. This list may not reflect recent changes .
Back to 1942 is a 2012 Chinese historical film directed by Feng Xiaogang. [2] It is based on Liu Zhenyun's novel Remembering 1942, and is about a major famine in Henan, China, during the Second Sino-Japanese War. On 11 November 2012, the film premiered at the International Rome Film Festival. [3]
Imprisoned: The Betrayal of Japanese Americans During World War II is a 2013 non-fiction children's book by American writer and historian Martin W. Sandler. [1] The book describes the lives of Japanese Americans before, during, and after their time in internment camps during World War II, as well as Japanese Americans who served in the United States military during the war.
Chinese audiences related to the topic of comfort women (which occurred during the Japanese occupation of China) and it was among the earliest depictions of sexuality seen in Chinese cinemas. In Beijing alone, Sandakan grossed more than CN¥3.5 million ($2.08 million) at the box office. [8]