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Lou Donaldson playing a Selmer Mk VI alto Selmer Mark VI tenor saxophone Concert model with high F#, right hand G#, D to E flat trill and C to D trill using the palm key E flat. The Selmer Mark VI is a saxophone produced from 1954 to 1981. Production shifted to the Mark VII for the tenor and alto in the mid-1970s (see discussion of serial ...
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The Grafton saxophone was an injection moulded, cream-coloured acrylic plastic alto saxophone with metal keys, manufactured in London, England by the Grafton company, and later by 'John E. Dallas & Sons Ltd'. Grafton made only altos, owing to the manufacturing challenges presented by larger models (e.g., the tenor) with 1950s plastic ...
The baritone sax is an important part of military bands and is common in musical theater. Horn sections with baritone saxophone were used on many rock-and-roll hits of the 1950s, several Motown hits of the 1960s featured baritone saxophonist Mike Terry, and the instrument continued to be used in horn sections in American rock and pop music. It ...
The saxophone was a popular choice, as Selmer created the "Balanced action", which was a prototype for modern saxophones, many saxophones today have many of the components from this formation. The bore and bell were bigger than the American saxophone, become direct competition with them as a compatible option. [ 8 ]
Holton saxophones never enjoyed the reputation or sales of their competitors C.G. Conn, Buescher, Martin, or King, but generate interest for the idiosyncratic keywork on some early models. [ 9 ] [ 10 ] In the early 1930s the Holton Collegiate line of student horns was introduced, which would last through the 1970s. [ 11 ]
A "stencil" saxophone is a saxophone made by a manufacturer that is then sold to another company that (perhaps literally) takes a stencil and engraves their own name/information on the horn. The Julius Keilwerth company provided not only complete saxophones to other companies as stencils, but also saxophone bodies for other companies to affix ...
Concertiste – Besson's most expensive model from the 1890s to the advent of World War I. The bowed-out shape of the Concertiste's intervalve portings is the design favoured today. [2] Desideratum – Besson's second most expensive model. The main difference in configuration between the Desideratum and the Concertiste models is the ...
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