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Maha Prasthanam is a Telugu-language anthology of poems written by Srirangam Srinivasarao. It is considered an epic and magnum opus in modern Indian poetry. [1] [2] [3] The work is a compilation of poetry written between 1930 and 1940. [4] When it was published in 1950, it redefined the Telugu literary world.
Srinatha was born in a Pākanāṭi Niyōgi Telugu Brahmin family of Bharadwaja gotra in Kalapatam village on Gudur Mandal in Krishna district to parents Bhīmāmba and Mārayya in 1355/1360. [5] His grandfather was Kamalanābhāmātyuḍu who allegedly wrote a Telugu translation of Padma Purana .
The theme for his Manu Charitra is a short story from Markandeya Purana. It is about second Manu of fourteen manus (fathers of mankind societies according to Hindu mythology), translated into Telugu from Sanskrit by Marana (1291–1323), [4] disciple of Tikkana. The original story was around 150 poems and Peddana extended into six chapters with ...
Parijatapaharanam is famous for many soft romantic poems still popular in Telugu. He did many poetic experiments in his works. One such experiment is called Chitra Kavita (means magical poems). All four lines of a few poems can be read from either direction and all lines are palindromes ignoring spaces. He composed a poem that can be read from ...
Since the Telugu used by the author is so close to what the common people used, the poems look surprisingly familiar to the users of the Telugu. The poems have an astonishing communication power. All the poems are in kanda padyam meter. Being in short meter and being unconnected to each other the poems are easy to remember.
Telugu literature includes poetry, short stories, novels, plays, and other works composed in Telugu. There is some indication that Telugu literature dates at least to the middle of the first millennium. The earliest extant works are from the 11th century when the Mahabharata was first translated to Telugu from Sanskrit by Nannaya.
Mutyala Saralu (Telugu: ముత్యాల సరాలు) is a compilation of Telugu poems written by Gurajada Apparao in 1910. The compilation heralded the beginning of modern poetry in Telugu language. [1] The traditional meter is replaced by a new lyrical and four beat balladic rhythm.
Many lines of Yogi Vemana's poems are now colloquial phrases of the Telugu language. They end with the signature line Viswadaabhi Raama Vinura Vema, literally "Beloved of Viswada, listen Vema." There are multiple interpretations of what the last line signifies. Vemana's poems were collected and published by Brown in the 19th century. [3]