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Commedia dell'arte [a] was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. [4] [5] It was formerly called Italian comedy in English and is also known as commedia alla maschera, commedia improvviso, and commedia dell'arte all'improvviso. [6]
The name Harlequin is taken from that of a mischievous "devil" or "demon" character in popular French Passion Plays.It originates with an Old French term herlequin, hellequin, first attested in the 11th century, by the chronicler Orderic Vitalis, who recounts a story of a monk who was pursued by a troop of demons when wandering on the coast of Normandy, France, at night.
His last appearance as Pedrolino was in 1613 at the age of eighty-seven, performing with the Accessi company at the court theater of the Louvre, [19] an engagement to which the poet Malherbe responded: Harlequin is certainly quite different from what he was, and so is Petrolin [i.e., Pedrolino]: the first is fifty-six and the second eighty-seven.
An Italian company was called back to Paris in 1716, and Pierrot was reincarnated by the actors Pierre-François Biancolelli (son of the Harlequin of the banished troupe of players) and, after Biancolelli abandoned the role, the celebrated Fabio Sticotti (1676–1741) and his son Antoine Jean (1715–1772). [18]
' comedy of the profession ') [29] was an early form of professional theatre, originating in Italy, that was popular throughout Europe between the 16th and 18th centuries. [30] [31] It was formerly called "Italian comedy" in English and is also known as commedia alla maschera, commedia improvviso, and commedia dell'arte all'improvviso. [32]
The play opens with the engagement party between Clarice and Silvio, the daughter and son of Pantaloon (also spelled Pantalone) and Doctor Lombardi respectively. However, their celebration is cut short by the arrival of the exceptionally quirky and comical Harlequin (known in English also as Truffaldino, which can be translated into English as Fraudolent), the servant of Clarice's supposedly ...
Detail from Portrait of an Actor by Domenico Fetti (c. 1621 –1622, Hermitage Museum, Saint Petersburg), identified as Tristano Martinelli or Francesco Andreini. Tristano Martinelli (c. 1556 – 1630), [1] called Dominus Arlecchinorum, [2] the "Master of Harlequins", was an Italian actor in the commedia dell'arte tradition.
Columbine (Italian: Colombina; French: Colombine; [2] lit. ' little dove ') is a stock character in the commedia dell'arte. [3] She is Harlequin's mistress, [3] a comic servant playing the tricky slave type, and wife of Pierrot. Rudlin and Crick use the Italian spelling Colombina in Commedia dell'Arte: A Handbook for Troupes. [4]