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The imaginary audience refers to a psychological state where an individual imagines and believes that multitudes of people are listening to or watching them. It is one of the mental constructs in David Elkind 's idea of adolescent egocentrism (along with the personal fable ).
The imaginary audience, Elkind said, could be regarded as "a series of hypotheses" that an adolescent "tests against reality". Because the imaginary audience is usually constructed based on an adolescent's attention on his own perception, it will be gradually modified through communicating and reacting with real audiences.
According to Alberts, Elkind, and Ginsberg the personal fable "is the corollary to the imaginary audience.Thinking of themselves as the center of attention, the adolescent comes to believe that it is because they are special and unique.” [1] It is found during the formal operational stage in Piagetian theory, along with the imaginary audience.
An egocentric adolescent experiencing an imaginary audience believes there is an audience captivated and constantly present to an extent of being overly interested about the egocentric individual. Personal fable refers to many teenagers' belief that their thoughts, feelings, and experiences are unique and more extreme than others'. [20]
For example, the nationhood felt with other members of your nation when your "imagined community" participates in a larger event such as the Olympic Games. Finally, a nation is a community because, regardless of the actual inequality and exploitation that may prevail in each, the nation is always conceived as a deep, horizontal comradeship.
This is a list of genres of literature and entertainment (film, television, music, and video games), excluding genres in the visual arts.. Genre is the term for any category of creative work, which includes literature and other forms of art or entertainment (e.g. music)—whether written or spoken, audio or visual—based on some set of stylistic criteria.
The Tale of Genji by Lady Murasaki, written in 11th-century Japan, was considered by Jorge Luis Borges to be a psychological novel. [4] French theorists Gilles Deleuze and Félix Guattari, in A Thousand Plateaus, evaluated the 12th-century Arthurian author Chrétien de Troyes' Lancelot, the Knight of the Cart and Perceval, the Story of the Grail as early examples of the style of the ...
imaginary companion of the anchorite St Ungulant in the novel Small Gods by Terry Pratchett: The Bear: from a book of the same name by Raymond Briggs [3] Booby unicorn in the short story The Unicorn in the Garden by James Thurber: Budo novel Memoirs of an Imaginary Friend by Matthew Dicks [4] Dorothy Spinner's imaginary friends: comics ...