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The Hill is a 1965 British prison drama war film directed by Sidney Lumet and distributed by Metro-Goldwyn-Mayer. It depicts the physical and psychological power struggles of a British military prison in North Africa, near the end of the Second World War. The title refers to a large mound prisoners are made to repeatedly climb.
Rose Hill is a 1997 American Western television film, directed by Christopher Cain and written by Earl W. Wallace. The film stars Jennifer Garner, Jeffrey D. Sams, Vera Farmiga, Justin Chambers, and Zak Orth. It is based on Julie Garwood's 1995 novel For the Roses. The film premiered on CBS on April 20, 1997.
"The Rose" was first recorded by Bette Midler for the soundtrack of the 1979 film The Rose, in which it plays under the closing credits.However, the song was not written for the movie: Amanda McBroom recalls, "I wrote it in 1977 [or] 1978, and I sang it occasionally in clubs. ...
"The Hills" received critical acclaim, with most reviewers praising the Weeknd's return to form after his pop-oriented direction with "Earned It".Billboard wrote, "His recent singles ditched his murky sound for shinier, poppier fare, but R&B outlier The Weeknd goes back to basics with "The Hills," an ode to druggy, illicit booty calls.
Italian singer Laura Pausini also released an Italian language cover of the song, titled "She (Uguale a lei)". The song was recorded for a Barilla TV spot. The lyrics of the song were adapted by Pausini herself, and are therefore different from the lyrics of Aznavour's Italian-language version of his hit. [28]
The Rose Maker (French: La fine fleur) is a 2020 French comedy film, directed by Pierre Pinaud . [3] The film stars Catherine Frot as Ève Vernet, a formerly successful rose grower on the verge of bankruptcy , who hires three workers with no horticultural skills and must train them to help save her business.
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"A Rose Is Still a Rose" is a song recorded by American singer Aretha Franklin. It was written and produced by singer Lauryn Hill for Franklin's album of the same name (1998). The song focused on a motherly figure giving advice to a younger woman who keeps getting into bad relationships.