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For a note in 4/4 time, "whole" means an entire (or 'whole') measure of beats: 4 beats. In 3/4 time, though, a whole note would be written as a dotted half note tied to a quarter note. For a rest, "whole" always means an entire measure. That symbol hanging from the second line means "Do not play at all during this measure."
There may be any number of beats in a measure but the most common by far are multiples of 2 or 3 (i.e., a top number of 2, 3, 4, or 6). Likewise, any note length can be used to represent a beat, but a quarter note (indicated by a bottom number of 4) or eighth note (bottom number of 8) are by far the most common.
Since it is equal to four quarter notes, it occupies the entire length of a measure in 4 4 time. Other notes are multiples or fractions of the whole note. For example, a double whole note (or breve) lasts twice the duration of the whole note, a half note lasts one half the duration, and a quarter note (or crotchet) lasts one quarter the duration.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
Whole note: usually 4 beats. Whole rest: usually a full bar. Not always the same as a whole note. Slightly better answers: Whole note: the number of beats it gets is equal to the number on the bottom of the time signature, except in compound time. In compound time, a DOTTED whole note gets beats equal to HALF of that bottom number.
The duration (note length or note value) is indicated by the form of the note-head or with the addition of a note-stem plus beams or flags. A stemless hollow oval is a whole note or semibreve, a hollow rectangle or stemless hollow oval with one or two vertical lines on both sides is a double whole note or breve.
4, each level is divided in two. In a common-time rock drum pattern each measure (a whole note) is divided in two by the bass drum (half note), each half is divided in two by the snare drum (quarter note, collectively the bass and snare divide the measure into four), and each quarter note is divided in two by a ride pattern (eighth note). "Half ...
This is a list of notable musical works which use the whole tone scale. Béla Bartók. Cantata Profana, b. 186–187 [1] Concerto for Orchestra, fifth movement, b. 484 [2] String Quartet No. 1, end of movement 3 [3] String Quartet No. 4, first movement, b. 157–160 [4]