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Several Italian designs were released as wood type from 1837 onwards. [7] Several digitisations of the Italian style have been made. Peter Biľak's Karloff is a family of normal and matching reverse-contrast fonts with upper- and lower-case, together with a low-contrast slab serif design, all with the same basic structure. Biľak and his ...
The Italian language is a language with a large set of inflammatory terms and phrases, almost all of which originate from the several dialects and languages of Italy, such as the Tuscan dialect, which had a very strong influence in modern standard Italian, and is widely known to be based on Florentine language. [1]
Free downloadable copy of the book with English translation as zipped .pdf; Identifont biography. Specimen sheet. Requiem typeface; Commentary on La Operina and italic script tutorials at Briem.net; La operina di Ludouico Vicentino, da imparare di scriuere littera cancellarescha From the Rare Book and Special Collections Division at the Library ...
The Unicode letter pair latin capital/small letter r rotunda rendered by different fonts. The r rotunda (ꝛ), "rounded r", is an old letter variant commonly used in rotunda scripts and other blackletter typefaces. It is thought that this variant form of that letter was originally devised either to save space while writing on expensive ...
Graphic board for the Unicode block Old Italic. Hatched fields are unoccupied code points. Old Italic is a Unicode block containing a unified repertoire of several Old Italic scripts used in various parts of Italy starting about 700 BCE, including the Etruscan alphabet and others that were derived from it (or cognate with it).
The Italian scribe Ludovico Vicentino degli Arrighi's 1522 influential pamphlet on handwriting called La Operina was the first book on writing the italic script known as cursive chancery hand. [6] He was a scribe in the Papal Curia , which had refined cursive chancery hand in its infancy during the latter half of the 15th century. [ 4 ]
The humanistic term litterae antiquae (the "ancient letters") applied to this hand was an inheritance from the fourteenth century, where the phrase had been opposed to litterae modernae ("modern letters"), or blackletter. [3] The humanist minuscule was connected to the humanistic content of the texts for which it was the appropriate vehicle.
Arno is an old-style serif font, drawing inspiration from a variety of 15th and 16th century typefaces. [4] Slimbach has described the design as a combination of the period's Aldine and Venetian styles, with italics inspired by the calligraphy and printing of Ludovico degli Arrighi .