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A significant later effort to collect and publish photos of the American Civil War in an almost duplicate manner as the 1911 release, was the National Historical Society's 2,768-page The Image of War, 1861–1865 in six volumes under the overall auspices of renowned Civil War historians William C. Davis and Bell I. Wiley as senior editors. [3]
National American Woman Suffrage Association check, by Harriet Taylor Upton, Susan B. Anthony and Alice Stone Blackwell Tennessee Centennial and International Exposition , by The Henderson Litho. Co. (restored by Trialsanderrors )
Facts; the New Concise Encyclopedia (1934) American ed. New Concise Pictorial Encyclopedia (1938) Comprehensive Pictorial Encyclopedia (1942) World Home Reference Encyclopedia (1951) Practical Knowledge for All (1934)
Gleason's Pictorial "won instant success and proved very profitable." [10] Gleason sold his share of the Pictorial to Ballou in November 1854, "declaring that he had 'realized an ample competency' and now wished to 'retire from business altogether.'" [11] Ballou then changed the paper's title to Ballou's Pictorial Drawing-Room Companion.
A History of England, Political, Military, And Social from the Earliest Times to the Present (1871) Our Country: A Household History of the United States for all Readers, From the Discovery of America to the Present Time (1873) The American Centenary (1876) History of American Industries & Arts (1878) Story of the United States Navy for Boys (1881)
The history of pictorial maps overlaps much with the history of cartography in general, [1] and ancient artifacts suggest that pictorial mapping has been around since recorded history began. In Medieval cartography, pictorial icons as well as religious and historical ideas usually overshadowed accurate geographic proportions.
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.
John Warner Barber. John Warner Barber (February 2, 1798 – June 22, 1885) was an American engraver and historian whose books of state, national, and local history featured his vivid illustrations, said [1] to have caught the flavor and appearance of city, town, and countryside scenes in his day.
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