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The Norwegian copyright act does not address public domain directly. The Norwegian copyright law defines two basic rights for authors: economic rights and moral rights. [..] For material that is outside the scope of copyright, the phrase «i det fri» («in the free») is used. This corresponds roughly to the term «public domain» in English.
To bring a copyright infringement lawsuit, a copyright holder must establish ownership of a valid copyright and the copying of constituent elements of the work that are original. [76] The copyright owner must also establish both (a) actual copying and (b) improper appropriation of the work.
For a work for hire, the copyright in a work created before 1978, but not theretofore in the public domain or registered for copyright, subsists from January 1, 1978, and endures for a term of 95 years from the year of its first publication, or a term of 120 years from the year of its creation, whichever expires first. [30]
The original length of copyright in the United States was 14 years, and it had to be explicitly applied for. If the author wished, they could apply for a second 14‑year monopoly grant, but after that the work entered the public domain, so it could be used and built upon by others.
It is also known as videopoetry, video-visual poetry, poetronica, poetry video, media poetry, or Cin(E)-Poetry depending on the length and content of the video work and the techniques employed (e.g. digital technology) in its creation. Video poetry is a wide-ranging category where very different typologies of works converge.
LibriVox is an invented word inspired by Latin words liber (book) in its genitive form libri and vox (voice), giving the meaning BookVoice (or voice of the book). The word was also coined because of other connotations: liber also means child and free, independent, unrestricted. As the LibriVox forum says: "We like to think LibriVox might be ...
Most publishers permit self-archiving of the postprint version of the author's own chapter (if contributed to only one chapter) or 10% of the total book (if contributed to multiple chapters). [3] The notable exception is Elsevier, which is the largest publisher to not permit chapter archiving under any circumstances.
Italian copyright law also provides for certain exploitation rights over non-works. Phonograph producers have the exclusive right for 50 years from fixation (and without prejudice to the author's rights) to authorize reproduction, distribution, rental, lending, and Internet availability of the sound recording (Art. 72).
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