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Armenian Carpet "Gohar" with Armenian inscription, 1700, Artsakh (Nagorno-Karabagh) The term Armenian carpet (Armenian: Հայկական գորգ; haykakan gorg) designates, but is not limited to, tufted rugs or knotted carpets woven in Armenia or by Armenians from pre-Christian times to the present.
Common themes and patterns found on Armenian carpets were the depiction of dragons and eagles. They were diverse in style, rich in color and ornamental motifs, and were even separated in categories depending on what sort of animals were depicted on them, such as artsvagorgs (eagle-carpets), vishapagorgs (dragon-carpets) and otsagorgs (serpent ...
Carpet-weaving was historically a traditional profession for the female population of Karabakh, including many Armenian families, though there were prominent Karabakh carpet weavers among men too. The oldest extant Armenian carpet from the region, referred to as Artsakh since antiquity and during the medieval period, is from the village of ...
Although a wide range of carpet and mat sizes are produced, the most common sizes found are 4 x 6 to 8 x 10 feet.3 The use of a longer pile traditionally appealed to Americans.4 The Lilihan rugs are executed using the Hamadan (single-wefted) weave, typically this means that they have one heavy cotton weft and are made with thick, first quality wool.
Vaspurakan (Armenian: Վասպուրական, Western Armenian pronunciation: Vasbouragan) was the eighth province of the ancient kingdom of Armenia, which later became an independent kingdom during the Middle Ages, centered on Lake Van.
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On 2 June 1992, the Nagorno-Karabakh Republic (NKR), a former breakaway state in the South Caucasus region, adopted a flag derived from the flag of Armenia, to which a white, five-toothed, stepped carpet pattern is added, beginning at the two verges of the flag's fly and meeting at a point equal to one-third of the distance from that side. [1]
This period saw the peak of Armenian illuminated manuscripts: “For example, the miniatures painted in the northeastern regions are distinguished by their monumental character and the intensity of their colors; while the ones in the Vaspurakan school by their simplicity and a tendency to stylization.