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Siete Canciones populares Españolas ("Seven Spanish Folksongs") is a 1914 set of traditional Spanish songs arranged for soprano and piano by the composer Manuel de Falla. Besides being Falla's most-arranged composition and one of his most popular, it is one of the most frequently performed sets of Spanish-language art songs. The Godebski family
Cuatro piezas españolas, Pièces espagnoles ("Four Spanish Pieces") – for piano, dedicated to Isaac Albéniz (c. 1906–1909) Fantasía Bética – for piano, dedicated to Arthur Rubinstein (1919) Canto de los remeros del Volga (del cancionero musical ruso) ("Song of the Volga boatmen") (1922)
The song is one of the two piano ballads on the album, the other one being "Acróstico", and the last song she wrote for the album. [ 2 ] [ 3 ] [ 4 ] Shakira shared that creating the album was an "alchemical process" and that she "rebuilt herself" writing each song: "As I sang them, my tears were transformed into diamonds and my vulnerability ...
Bloomingdale School of Music Piano Project: Sonidos de Espana/Music of Spain – extensive monthly features on the history of Spanish music. Spanish language music Traditional and contemporary Spanish-language music, with genre descriptions, representative artists, CDs & audio samples. Spanish Folk Music in Havana (Photo Album)
Asturias performed at the White House by Sharon Isbin.. Though originally written to imitate guitar playing, the piece cannot be transcribed note for note for guitar. The original version makes uses of the piano keyboard's wider range compared to the tessitura of the guitar, and the key of G minor is not suitable for the guitar—for example, in the standard guitar tuning, the pedal note D4 is ...
La Paloma", "The Dove" in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was written by the Spanish Basque composer Sebastián Iradier (later Yradier) around 1860 after a visit to Cuba.
The melodic themes which form the basis of "Malagueña" were not of Ernesto Lecuona's invention, having been prominent in Spanish folk songs named "malagueñas" for several centuries, though at least one was popularised internationally by 19th-century American composer Louis Moreau Gottschalk in his solo piano composition Souvenirs d'Andalousie (English: Memories of Andalusia).
"Granada" is a song written in 1932 by Mexican composer Agustín Lara. The song is about the Spanish city of Granada and has become a standard in music repertoire.. The most popular versions are the original with Spanish lyrics by Lara (often sung operatically); a version with English lyrics by Australian lyricist Dorothy Dodd; and instrumental versions in jazz, pop, easy listening, flamenco ...
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