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Psycho IV: The Beginning is a 1990 American slasher television film directed by Mick Garris, and starring Anthony Perkins, Henry Thomas, Olivia Hussey, Warren Frost, Donna Mitchell, and CCH Pounder. It serves as both the third sequel and a prequel to Alfred Hitchcock 's Psycho , focusing on the early life of Norman Bates and the flashbacks that ...
Psycho is an American horror franchise consisting of six films loosely based on the Psycho novels by Robert Bloch: Psycho, Psycho II, Psycho III, Bates Motel, Psycho IV: The Beginning, the 1998 remake of the original film, and additional merchandise spanning various media.
Three sequels were produced after Hitchcock died: Psycho II (1983), Psycho III (1986), and Psycho IV: The Beginning (1990), the last being a part-prequel television movie written by the original screenplay author, Joseph Stefano. Anthony Perkins returned to his role of Norman Bates in all three sequels, and also directed the third film.
The video boasts a trove of classic movie references, pulling inspiration from some of Hollywood’s most iconic horror films, and reinvents them with playful twists.
He reprised his role as Norman Bates in Psycho II (1983), Psycho III (1986), and Psycho IV: The Beginning (1990). The third installment in the anthology earned him a Best Actor Saturn Award nomination. His last film was In the Deep Woods, a television film broadcast a month after his death in September 1992 from AIDS-related causes.
Psycho IV: The Beginning (1990) posits the origins of Norman Bates' destructive mother-love, featuring Olivia Hussey as Mrs. Bates. Stefano wrote and executive produced the Al Pacino drama Two Bits (1995), a personal project that fared poorly at the box-office and with critics, leaving Stefano less than enthusiastic about continuing to write ...
Norma Bates (née Spool or Calhoun, also known simply as Mrs. Bates) is a fictional character created by American author Robert Bloch in his 1959 thriller novel Psycho.She is the deceased mother and victim of serial killer Norman Bates, who had recreated her in his mind as a murderous alternate personality.
It's not the full-on 'queer Psycho' that Van Sant fans predicted, but it is an extraordinary drag act". [26] Leonard Maltin's Movie Guide classified the film as a "bomb", compared to the four-out-of-four stars he gave the original. He describes it as a "slow, stilted, completely pointless scene-for-scene remake of the Hitchcock classic (with a ...