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Traditionally, sacred dances can only be performed in temples. However, new choreographies have been created due to the demand from tourists. One example, Tari Sekar Jagat (Tari means dance in the Balinese language), is a relatively new choreography that has become popular. In the newer creations, choreographers have more freedom over the moves.
Joged dance (Balinese: ᬚᭀᬕᬾᬤ᭄) is a style of dance from the Island of Bali derived from the traditional Gandrung dance. [1] The term joged or joget is also a common word for dance in Indonesia. The dance is typically accompanied by a gamelan ensemble of bamboo instruments, called a gamelan joged bumbung.
Traditional Balinese dances are sacral in nature, thus unsuited for secular performances. That these dances were used for welcoming non-Balinese, and in non-sacral contexts, was a point of controversy in the late 1960s. [1]
Kecak (Balinese: ᬓᬾᬘᬓ᭄, romanized: kécak, pronounced "kechak"), alternate spellings: kechak and ketjak), known in Indonesian as tari kecak, is a form of Balinese Hindu dance and music drama that was developed in the 1930s.
Pendet dance (Balinese: ᬧᭂᬦ᭄ᬤᭂᬢ᭄, igélan pendet) is a traditional dance from Bali, Indonesia, in which floral offerings are made to purify the temple or theater as a prelude to ceremonies or other dances.
Gandrung dance performance in Balinese manuscripts. A collection of the University of Leiden, Netherlands. Gandrung derives its name from the Javanese word for "love". [1] It is theorized that the dance originated as a ritual dance to express the people's affection for the rice goddess Dewi Sri, [4] with trance and as a kind of fertility dance. [5]
[2] [4] Emiko Susilo writes, "when the dance-dramas of Majapahit came to Bali, they had the new task of preserving the tradition of a fallen dynasty" [4] (emphasis in original). It also introduced a new element of narrative to Balinese performing arts that influenced other forms of dance-drama on the island, such as topeng masked dance and arja ...
Baris dance (Balinese: ᬩᬭᬶᬲ᭄, igélan baris) is a family of traditional war dances in Bali, Indonesia, accompanied by gamelan, in which dancers depict the feelings of a young warrior prior to battle, glorify the manhood of the triumphant Balinese warrior, and display the sublimity of his commanding presence.