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"Bad Time" is a song written by Mark Farner and performed by Grand Funk. The song is featured on the band's 1974 album, All the Girls in the World Beware!!!. [2] It peaked at number 4 on the Billboard Hot 100 the weeks of June 7 and 14, 1975. [3] [4] Jimmy Ienner produced the song, and it was arranged by Tony Camillo. [5]
On the Led Zeppelin BBC Sessions, released in 1997, this song was featured three times, each with a slightly different improvisation by the group. [9] Three live versions–taken from performances at the TV program Tous en scène in Paris in 1969, at Danmarks Radio in 1969 and at the Royal Albert Hall in 1970–can also be seen on the Led ...
Dream pop (also typeset as dreampop) [7] is a subgenre of alternative rock [8] and neo-psychedelia [9] that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus.
"Good-Bye Bad Times" is a song by British singer and songwriter Philip Oakey and Italian producer Giorgio Moroder. It was written by Oakey and Moroder and recorded for the album Philip Oakey & Giorgio Moroder .
"Good Time Women" is a bluesy boogie-woogie, [6] [7] with heavy emphasis on Ian Stewart's piano work. [7] Though the song has differing lyrics to "Tumbling Dice", [8] it contained a similar structure, chord progression, and melody.
"Good Times Bad Times" is a song by the English rock band Led Zeppelin, featured as the opening track on their 1969 debut album Led Zeppelin. The song was Led Zeppelin's first single released in the US, where it reached the Billboard Hot 100 chart.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord