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Buddhist art is visual art produced in the context of Buddhism.It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. [1]
A statue or a painting of Buddha always illustrates a mudra or gesture. There are large numbers of these, but a few are the oldest and most common. In Mahayana Buddhism , some of the most common have also become identified with the five transcendental Buddhas, also called " Dhyani Buddhas " or "Pancha Buddhas", further complicating ...
The Buddha's ten principal disciples, who seem to be historical figures, in some cases very important figures in the early development of Buddhism, are given personalities in the literature, and various anecdotes concerning them are depicted in art, with or without the Buddha being present.
Relief depicting the bodhisattva Avalokiteśvara, Plaosan temple, Java, 9th-century. The many different varieties of Buddhist art often show buddhas and bodhisattvas, as well as depictions of the historical Buddha, known as Gautama Buddha (or Siddhārtha Gautama, Śākyamuni, or Tathāgata).
Narrowly defined, a painting used in the worship and rituals of Buddhism, especially esoteric sects. Paintings (single or group) depicting the Buddha , Bodhisattvas, ancient Indian gods, Chinese and Japanese gods, and other deities worshipped in Buddhism, as well as Mandala of the Two Realms, Mandala of the Separate Realms, etc. [2]
The Vinegar Tasters (三酸圖; 'three sours'; 嘗醋翁; 'vinegar-tasting old men'; 嘗醋圖, 尝醋图) is a traditional [clarification needed] subject in Chinese painting, which later spread to other East Asian countries. The allegorical image represents three elderly men tasting vinegar. The identity of the three men varies.
Birth of the Buddha, Lorian Tangai, Gandhara.The Buddha is shown twice: being received by Indra, and then standing up immediately after. The iconography of the events reflects the elaborated versions of the Buddha's life story that had become established from about 100 AD in Gandharan art and elsewhere, such as Sanchi and Barhut, and were given detailed depictions in cycles of scenes ...
Later, Greco-Buddhist art depicts the life of the Buddha in art. The Bodhisattvas are depicted as bare-chested and jewelled Indian princes, and the Buddhas as Greek kings wearing the light toga-like himation. The buildings in which they are depicted incorporate Greek style, with the ubiquitous Indo-Corinthian capitals and Greek decorative scrolls.