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James Darrell Northrup Weeks (December 1, 1922 – January 3, 1998) was an American artist and an early member of the Bay Area Figurative Movement. [1] Unlike many artists in the movement, Weeks was never known for painting in a non-representational style, instead using abstraction in the "ideas of painting."
The Boston origins of the American movement date to a "wave of German and European-Jewish immigrants" in the 1930s and their "affinities to the contemporary German strain of figurative painting ... in artists like Otto Dix (1891–1969), Ernst Ludwig Kirchner (1880–1938), Oskar Kokoschka (1886–1980), and Emil Nolde (1867–1956), both in style and in subject matter," art historian Adam ...
Robert Freeman (born 1946) is an American painter and educator known for his large-scale, figurative oil paintings titled Black Tie, [1] offering commentary on the personal conflict Freeman felt as African-Americans settled into middle-class life following the racial tensions of the 1960s and 1970s. [2]
Boston Expressionism is an arts movement marked by emotional directness, dark humor, social and spiritual themes, and a tendency toward figuration strong enough that Boston Figurative Expressionism [1] is sometimes used as an alternate term to distinguish it from abstract expressionism, with which it overlapped.
The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include line, shape, color, light and dark, mass, volume, texture, and perspective, [2] although these elements of design could also play a role in creating other types of imagery—for instance abstract, or non-representational or non-objective two-dimensional artwork.
Jack Levine was the eighth child born to Samuel and Mary Levine, Lithuanian Jewish immigrants. [2] He grew up in the South End of Boston, where he observed a street life composed of European immigrants and a prevalence of poverty and societal ills, subjects which would inform his work.
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