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Onib Olmedo (July 7, 1937 – September 8, 1996) was a Filipino painter acclaimed by critics as one of the major Filipino artists of the 20th century. Olmedo created a body of works that utilizes the expressionist technique of distortion to portray the inner torment experienced by modern man.
Bernardo was the subject of three major retrospectives; the first one in 1979 at the Museum of Philippine Art, the second, in 2013 at the Ayala Museum during the centenary of his birth and the third, at the Cultural Center of the Philippines in 2014. According to art critic Alice Guillermo, Bernardo was "one of the earliest and most consistent ...
Shamans and their practices continue in some parts of the Philippines. [205] The art of constellation and cosmic reading and interpretation is a fundamental tradition among all Filipino ethnic groups, and the stars are used to interpret for communities to conduct farming, fishing, festivities, and other important activities.
Elmer Misa Borlongan (born January 7, 1967) [1] is a prominent contemporary Filipino painter best known for his distinctive use of figurative expressionism. [2]He rose to prominence as a recipient of the Cultural Center of the Philippines' Thirteen Artist Awards in 1994, [3] and his works have since become one of the most widely exhibited and most sought-after at auctions among Southeast Asian ...
Protest art against the Marcos dictatorship in the Philippines pertains to artists' depictions and critical responses to social and political issues during the presidency of Ferdinand Marcos. Individual artists as well as art groups expressed their opposition to the Marcos regime through various forms of visual art, such as paintings, murals ...
Eduardo Castrillo, commonly known as 'Ed', was born in Santa Ana, City of Greater Manila (now part of Manila), Philippines, on October 31, 1942, the youngest of five children to Santiago Silva Castrillo and Magdalena De los Santos.
Nevertheless, Leynes was already taking art lessons in grade school and highschool. He graduated from the Arellano High School and entered the College of Fine Arts of the University of the Philippines. His studies were cut short in his fourth year by the Japanese invasion of the Philippines in World War II. [1]
By introducing modern ideas into the Philippine art scene, Victorio Edades managed to destroy the conventions of domestic art, and also got rid of the clichéd ideology he believed stunted the development of Philippine art. His defiance to what the Conservatives structured as ‘art’ was a conscious call for real artistic expression.