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  2. Jazz Chants - Wikipedia

    en.wikipedia.org/wiki/Jazz_Chants

    Jazz Chant is a rhythmic expression of natural language which links the rhythms of spoken American English to the rhythms of traditional American jazz. Jazz Chants are defined poems with repeated beats. The beat may vary depending on the idea of the reader.

  3. Rhythm changes - Wikipedia

    en.wikipedia.org/wiki/Rhythm_changes

    The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...

  4. Impro-Visor - Wikipedia

    en.wikipedia.org/wiki/Impro-Visor

    The reading of this text is: Chords C and C7 equally spaced in the first bar, and F in the second bar. A melody of c (the + means an octave above middle C, the 2 means a half-note), bb2, meaning a B-flat half-note, bb8, meaning a B-flat eighth-note, f2., meaning an F dotted half-note.

  5. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.

  6. Glossary of jazz and popular music - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_jazz_and...

    Rhythm section members improvise an accompaniment (see Comp), and lead instruments improvise solos. In sections where the jazz arranger wants the performers to read notated pitches rather than improvise, they indicate this with the notation "as is". autotune. A pitch correction effect that corrects sung or played pitches.

  7. Free jazz - Wikipedia

    en.wikipedia.org/wiki/Free_jazz

    Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.

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  9. Early Jazz: Its Roots and Musical Development - Wikipedia

    en.wikipedia.org/wiki/Early_Jazz:_Its_Roots_and...

    He cites various jazz performers for the natural quality of their sound production, sound that makes each performer readily identifiable. A final brief section in this chapter, on improvisation, states that group improvisation, a hallmark of early jazz, is a distinctively African practice. Schuller counters a variety of other theories of the ...