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In March 2019, Salesforce faced a lawsuit by 50 anonymous women claiming to be victims and survivors of sex trafficking, abuse, and rape, alleging the company profited from and helped build technology that facilitated sex trafficking on the now-defunct Backpage.com. [131] In March 2021, a judge granted partial dismissal of the case, dismissing ...
Because of the shape of the building, the majority of the windows can pivot 360 degrees so they can be washed from the inside. [29] The spire is hollow [19] and lined with a 100-foot steel stairway at a 60-degree angle, followed by two steel ladders. The conference room (with 360 degree views of the city) is located on the 48th floor.
Salesforce Tower was designed by Argentine-American architect César Pelli [3] and developed by Hines Interests Limited Partnership and Boston Properties. [15] In 2017, Pelli stated that the aim had been something "very tall, very big, but still polite and appropriate." [16] It was one of Pelli's last finished works before his death in 2019. [17]
The trailer for "The Matrix 4: Resurrections" shows its main characters leaping from a skyscraper in San Francisco, with Salesforce Tower in view.
Temple made eight Baby Burlesks films, and 10 other short films, before being signed to star in feature-length motion pictures. The role that launched her feature film career was a short song-and-dance sequence in the 1934 movie Stand Up and Cheer! for Fox Film, with James Dunn as her father.
Salesforce Tower (formerly known as Bank One Tower, then Chase Tower, and originally conceived as American Fletcher Tower) is the tallest building in the U.S. state of Indiana. [1] [2] Opening in 1990, it surpassed the AUL Tower (now OneAmerica Tower) in Indianapolis for the distinction. The building's twin spires' are 811 feet (247 m) tall ...
Starring Shirley Temple, Randolph Scott, Jack Haley, Gloria Stuart, Phyllis Brooks, Helen Westley, Slim Summerville and Bill Robinson, it is the second of three films in which Temple and Scott appeared together, between To the Last Man (1933) and Susannah of the Mounties (1939). The plot tells of a talented orphan's trials and tribulations ...
Assigned to a vehicle for Mistress Temple, the script writer seems to have become all thumbs." [3] Variety called the film "tedious" and said that Temple "does not tee off auspiciously." [4] John Mosher of The New Yorker wrote, "I must say that they have given the diva a disagreeable kind of vehicle for her resuscitation from private life ...