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A Turner Classic Movies expert shares his top picks.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
The Chase is a 1946 American film noir directed by Arthur Ripley. The screenplay by Philip Yordan is based on Cornell Woolrich 's 1944 novel The Black Path of Fear . It stars Robert Cummings as Chuck Scott, a veteran who suffers from hallucinations.
Crack-Up is a 1946 American film noir starring Pat O'Brien, Claire Trevor, and Herbert Marshall. It was directed by Irving Reis, remembered for directing many "Falcon" movies of the early 1940s including The Falcon Takes Over. The drama is based on "Madman's Holiday", a short story written by mystery writer Fredric Brown. [1]
Woman on the Run is a 1950 American crime film noir directed by Norman Foster and starring Ann Sheridan and Dennis O'Keefe. [1] The film was based on the April 1948 short story "Man on the Run" by Sylvia Tate. The film exists in the public domain and was restored and preserved by the UCLA Film and Television Archive.
Kiss Me Deadly is a 1955 American film noir produced and directed by Robert Aldrich, starring Ralph Meeker, Albert Dekker, Paul Stewart, Juano Hernandez, and Wesley Addy.It also features Maxine Cooper and Cloris Leachman appearing in their feature film debuts.
Naked Alibi is a 1954 American film noir crime film directed by Jerry Hopper and starring Sterling Hayden, Gloria Grahame and Gene Barry. It was released on October 1, 1954 by Universal-International. Portions of the film were shot in Tijuana. [2]
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