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Raku became popular with American potters in the late 1950s with the help of Paul Soldner. Americans kept the general firing process, that is, heating the pottery quickly to high temperatures and cooling it quickly, but continued to form their own unique style of raku. [4] Raku's unpredictable results and intense color attracts modern potters.
Horse hair vase. Horse hair raku is a method of decorating pottery through the application of horsehair and other dry carbonaceous material to the heated ware. The burning carbonaceous material creates smoke patterns and carbon trails on the surface of the heated ware that remain as decoration after the ware cools.
Paul Edmund Soldner (April 24, 1921 – January 3, 2011) was an American ceramic artist and educator, noted for his experimentation with the 16th-century Japanese technique called raku, introducing new methods of firing and post firing, which became known as American Raku. [1] He was the founder of the Anderson Ranch Arts Center in 1966. [2]
She uses a Raku firing technique to give her pottery and sculpture a mysterious, ancient quality. Her pottery is quickly heated to melt the glazes, then placed in beds of sawdust to smoke the pieces.
Tim Andrews is an English studio potter making distinctive smoke-fired and raku ceramics exhibited internationally. [1]Andrews trained as an apprentice to David Leach and studied at Dartington Pottery Training Workshop before setting up his first studio in 1981. [2]
A large type of pottery Raku ware: 楽焼: A technique and style practised all over Japan, and now the world. Typically, vessels are hand-thrown without using a wheel, giving a simple and rather rough shape, and fired at low temperatures before being cooled in the open air.
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