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1950: 1992: Columbia Pictures (American Film Technologies) [283] Goopy Geer: 1932: 1992: Turner Entertainment [284] The Gospel According to St. Matthew: 1964: 2007: Legend Films [285] The Great Rupert: 1950: 2003: Legend Films (retitled A Christmas Wish) [286] The Great Sinner: 1949: 1991: Turner Entertainment [287] The Great Spy Chase: 1964: 1991
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Films of the 1950s were of a wide variety. As a result of the introduction of television, the studios and companies sought to put audiences back in theaters. They used more techniques in presenting their films through widescreen and big-approach methods, such as Cinemascope, VistaVision, and Cinerama, as well as gimmicks like 3-D film.
The real push for color films and the nearly immediate changeover from black-and-white production to nearly all color film were pushed forward by the prevalence of television in the early 1950s. In 1947, only 12 percent of American films were made in color. By 1954, that number rose to over 50 percent. [3]
A Kiss Before Dying is a 1956 American color film noir [1] directed by Gerd Oswald in his directorial debut. The screenplay was written by Lawrence Roman based on Ira Levin's 1953 novel of the same name, which won the 1954 Edgar Award for Best First Novel. [2]
Color film noirs were movies that followed the "film noir" style (crime themes, fatalistic outlook, etc.) during the noir "Classical Period" (1940-1959) but, instead of using B&W film stock they were shot in color, often Technicolor. Color noir films after 1959 became known as neo-noirs.
Lost Continent was a low-budget film shot in just 11 days from April 13 to late April 1951 at Goldwyn Studios. [ 3 ] [ 4 ] Black-and-white footage set atop the prehistoric escarpment was tinted a mint-green color on all theatrical release prints to produce an eerie, other-worldly effect.
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
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