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A classic method is nonlinear PCM, such as the μ-law algorithm. Small signals are digitized with finer granularity than are large ones; the effect is to add noise that is proportional to the signal strength. Sun's Au file format for sound is a popular example of mu-law encoding. Using 8-bit mu-law encoding would cut the per-channel bitrate of ...
As the MP3 standard allows quite a bit of freedom with encoding algorithms, different encoders do feature quite different quality, even with identical bit rates. As an example, in a public listening test featuring two early MP3 encoders set at about 128 kbit/s , [ 75 ] one scored 3.66 on a 1–5 scale, while the other scored only 2.22.
A lossless audio coding format reduces the total data needed to represent a sound but can be de-coded to its original, uncompressed form. A lossy audio coding format additionally reduces the bit resolution of the sound on top of compression, which results in far less data at the cost of irretrievably lost information.
Perceptual Evaluation of Audio Quality (PEAQ) is a standardized algorithm for objectively measuring perceived audio quality, developed in 1994–1998 by a joint venture of experts within Task Group 6Q of the International Telecommunication Union's Radiocommunication Sector . It was originally released as ITU-R Recommendation BS.1387 in 1998 and ...
A dictionary coder, also sometimes known as a substitution coder, is a class of lossless data compression algorithms which operate by searching for matches between the text to be compressed and a set of strings contained in a data structure (called the 'dictionary') maintained by the encoder. When the encoder finds such a match, it substitutes ...
Huffman coding is an entropy encoding method and variable-length code algorithm that assigns more common values with shorter binary codes that require fewer bits to store. Huffman coding works in the context of silence compression by assigning frequently occurring silence patterns with shorter binary codes, reducing data size.
For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs ...
With some encoding software, it is possible to force the use of M/S stereo for all frames, mimicking the joint stereo mode of some early encoders like Xing. Within the LAME encoder, this is known as forced joint stereo. [8] As with MP3, Ogg Vorbis stereo files can employ either L/R stereo or joint stereo. When using joint stereo, both M/S ...