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The final lyrics recorded backwards, at the end of the song. Tiger Army "Towards Destiny" "Tiger Army never die, Tiger Army never die, Tiger Army never die. As the last tiger dies, the Ghost Tigers rise. Heed the call of the werecat Transylvania. We fight on the side of fate. Toward destiny, we ascend to it forever. Hail Satan." [83]
John G. Nettles of PopMatters wrote: " 'Hell is Other Robots' is a terrific introduction to Bender and Futurama's irreverent humor, sly social satire, and damn catchy musical numbers." [ 13 ] TV Squad wrote that the series' funnier material appears in " Robot Hell – after Bender is 'born again' in the Temple of Robotology."
The Futurama theme was created by Christopher Tyng. The theme is played on the tubular bells but is occasionally remixed for use in specific episodes, including a version by the Beastie Boys used for the episode "Hell Is Other Robots", in which they guest starred as their own heads for both a concert and as part of the Robot Devil's song. [54]
Christopher Tyng (born August 5, 1968) [1] is an American composer for film and television. He composed the music for several television series, including Futurama, The O.C., The Job, Knight Rider, Suits, High Incident, and Rescue Me.
Guest stars include Phil Hendrie, Penn Jillette (credited with Teller), Snoop Dogg, and Seth MacFarlane, who sings the theme song. [2] In the movie, Leela becomes an outlaw when she and a group of ecologically-minded feminists attempt to save an asteroid of primitive life forms and the Violet Dwarf star from being destroyed, while Fry joins a ...
"Ave Satani" is the theme song to the 1976 film The Omen, which is composed by Jerry Goldsmith. [1] The Omen won the Academy Award for Best Original Score, [2] with Ave Satani nominated for Best Original Song. [3]
He became fascinated with the integration of noise into music, now called noise music. He studied with Nadia Boulanger, Olivier Messiaen, and Félix Passerone at the Conservatoire de Paris from 1938 to 1948. [4] Between 1949 and 1958, Henry worked at the Club d'Essai studio at RTF, which had been founded by Pierre Schaeffer in 1942. [4]
I was especially fond of the ultimate source of the were-car problem, a murderous vehicle built by a group of scientists for Project Satan. Only thing is, Project Satan doesn’t become relevant until the last five minutes or so of the episode, which is a problem throughout; all the cleverness keeps things moving, but the end result is ...