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B minor is a minor scale based on B, consisting of the pitches B, C ... Its relative major is D major and its parallel major is B major. The B natural minor scale is:
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
Aeolian mode or natural minor scale: Aeolian on C. Play ... The A melodic minor scale, ascending and descending, on A. Play ...
B-flat minor is traditionally a 'dark' key. [ 1 ] The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation that occurs in the first minuet of Franz Krommer 's Concertino in D major , Op. 80.
Lee Oskar specially tunes harmonicas to allow players to play a natural minor or major scale from 2 draw to 6 blow, or a harmonic minor scale from 4 blow to 7 blow. Below are some sample layouts (the key labels describe the scale from 2 draw to 6 blow, whereas traditional harmonicas are labelled according to the scale between 4 and 8 blow).
The Aeolian mode is identical with the natural minor scale. Thus, it is ubiquitous in minor-key music. The following is a list of some examples that are distinguishable from ordinary minor tonality, which also uses the melodic minor scale and the harmonic minor scale as required. Traditional – "God Rest You Merry, Gentlemen"
Double Drop B – B-F ♯-B-E-G ♯-B / B-G ♭-B-E-A ♭-B/ One and one half steps down from Drop D. Used by Aaron Turner of Isis and used by Sevendust on the song "Separate". Double Drop A ♯ /Drop B ♭ – A ♯-F-A ♯-D ♯-G-A ♯ / B ♭-F-B ♭-E ♭-G-B ♭ Two full steps down from Drop D. Double Drop A – A-E-A-D-F ♯-A / A-E-A-D ...
The Dorian mode corresponds to the natural minor scale with a major sixth. The Phrygian mode corresponds to the natural minor scale with a minor second. The Locrian is neither a major nor a minor mode because, although its third scale degree is minor, the fifth degree is diminished instead of perfect.