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He hears the line articulated into four, with stresses on syllables 1, 4, 6, and 10 (despite being called a "schoolboy error" by classical scholar L. P. Wilkinson due to Horace's regularisation of the 4th syllable as a long, stressing the 4th-syllable was a common approach in several Romance languages [15]). His poem begins:
A quatrain is a type of stanza, or a complete poem, consisting of four lines. [1]Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, [1] where it is seen in works published in many languages.
In China, this technique is called qǐchéngzhuǎnhé (起承轉合).It was used in Chinese poetry in styles of four-line composition, such as Qijue.Qichengzhuanhe has been speculated to have originated with Li Bai during the Tang Dynasty, but this would predate the time period from the first mention of this form. [1]
The Penguin Dictionary of Literary Terms and Literary Theory. Penguin Books, 2000. ISBN 0-14-051363-9. Dana Gioia. The Longman Dictionary of Literary Terms: Vocabulary for the Informed Reader. Longman, 2005. ISBN 0-321-33194-X. Sharon Hamilton. Essential Literary Terms: A Brief Norton Guide with Exercises. W. W. Norton, 2006. ISBN 0-393-92837-3.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In such writing, simple visual appearance on a page (or any other written layout) remains sufficient to determine poetic line, and this sometimes leads to the suggestion that the work in question is no longer a poem but "chopped up prose". [4] A dropped line is a line broken into two parts, with the second indented to remain visually sequential.
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An example is the Arya metre, in which each verse has four lines of 12, 18, 12, and 15 morae respectively. In each 4-mora foot there can be two long syllables, four short syllables, or one long and two short in any order. Standard traditional works on metre are Pingala's Chandaḥśāstra and Kedāra's Vṛttaratnākara. The most exhaustive ...