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Many details must be discussed between the artist and scientist before a final drawing can be completed, and additional preliminary drawings must be prepared in order to work out aesthetic details. Pen and ink (often a flex nib fountain pen) line illustrations are clean, crisp, clear, and inexpensive to produce, making them ideal for biological ...
Most think Toba Sōjō created Chōjū-jinbutsu-giga, who created a painting a lot like Chōjū-jinbutsu-giga; [8] however, it is hard to verify this claim. [10] [11] [12] The drawings of Chōjū-jinbutsu-giga are making fun of Japanese priests in the creator's time period, characterising them as toads, rabbits and monkeys.
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
An Essay on Humanity to Animals is a 1798 book by English theologian Thomas Young. It advocates for the ethical treatment and welfare of animals. It argues for recognizing animals' natural rights and condemns the various forms of cruelty inflicted upon them in human activities. Drawing on moral, scriptural, and philosophical reasoning, Young ...
He made a pen and ink drawing [b] and printed a reversed reflection of it. [18] [c] The German inscription on the woodcut is largely drawing from Pliny's account [25] and reads: On the first of May in the year 1513 AD [sic], the powerful King of Portugal, Manuel of Lisbon, brought such a living animal from India, called the rhinoceros.
Over the course of his career, over 1000 prints were produced based on Haeckel's sketches and watercolors; many of the best of these were chosen for Kunstformen der Natur, translated from sketch to print by lithographer Adolf Giltsch. [3] A second edition of Kunstformen, containing only 30 prints, was produced in 1914.
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(2002), "Although it is widely used to show that we are just animals, and that our very existence is a mere accident, the ultimate icon goes far beyond the evidence." [8] The book likens a selection of evolution theory textbook topics to the cover illustration thus qualified. A German protest banner in Stuttgart, 2010.
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