Search results
Results from the WOW.Com Content Network
This page was last edited on 26 October 2024, at 23:51 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The Lord Is My Shepherd is a sacred choral composition by John Rutter, a setting of Psalm 23. The work was published by Oxford University Press in 1978. [1] Marked "Slow but flowing", the music is in C major and 2/4 time. [2] Rutter composed it for Mel Olson and the Chancel Choir of the First United Methodist Church in Omaha, Nebraska. [2]
It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the Scots Metrical Psalter in 1650 traced to a parish in Aberdeenshire. [1] It is commonly sung to the tune Crimond, which is generally credited to Jessie Seymour Irvine. [2]
Some adult prayers are equally popular with children, such as the Golden Rule (Luke 6:31, Matthew 7:12), the Doxology, the Serenity Prayer, John 3:16, Psalm 145:15–16, Psalm 136:1, and for older children, The Lord's Prayer and Psalm 23.
The Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969. They are seen as one of Brakhage's major works [1] [2] and include the feature-length 23rd Psalm Branch, considered by some to be one of the filmmaker's masterworks [3] and described by film historian P. Adams Sitney as "an apocalypse of imagination."
Psalm 23 is the 23rd psalm of the Book of Psalms, beginning in English in the King James Version: "The Lord is my shepherd".In Latin, it is known by the incipit, "Dominus regit me ".
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...