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[12]: 80 Other items show that Japanese designers started printing designs influenced by the Indian patterns independently, [12]: 80–84 and that fabrics imported from France or Britain were also used to make kimono; ownership of these textiles would have signified both wealth and cultural taste, though the example found in the collection of a ...
An unlined (hitoe) kimono made from tsumugi, showing soft drape.Tsumugi (紬) is a traditional slub-woven silk fabric from Japan.It is a tabby weave material woven from yarn produced using silk noil, short-staple silk fibre (as opposed to material produced using longer, filament yarn silk fibres).
Ōshima-tsumugi is a traditional craft textile produced in the Amami Islands (mainly Amami Ōshima) in southern Kagoshima Prefecture, Japan. It is a hand-woven plain-weave silk cloth dyed in mud. The textile is most commonly used for making kimonos. Oshima-tsumugi kimonos are often simply called Ōshima. Detail of an Oshima kimono up close.
The fabrics that kimono are made from are classified in two categories within Japan. Gofuku (呉服) is the term used to indicate silk kimono fabrics, composed of the characters go (呉, the Japanese pronunciation of "Wu"), referring to the State of Wu in ancient China where silk weaving technology developed, and fuku (服, meaning "clothing").
In English, these kimono are commonly referred to as 'propaganda kimono'. [2] [3] Traditional items of clothing that were not kimono, such as nagajuban (underkimono), haori (jackets worn over kimono) and haura (the decorative inner linings of men's haori) also featured wartime omoshirogara, as did miyamari, the kimono worn by infants when taken ...
A traditional Japanese drawstring bag or pouch, worn like a purse or handbag (vaguely similar to the English reticule), for carrying around personal possessions. A kind of sagemono. Koshihimo (腰紐, lit. ' hip cord ') A narrow strip of fabric used to tie the kimono, nagajuban and ohashori in place while dressing oneself in kimono. They are ...
These traditional designs range from scenes of nature, different breeds of birds and several different types of flowers. Several other products, including kimono scarves, different types of kimono, belts, shawls and many different types of cloth and decorations that adorn the walls of Japanese homes are also made using Nishijin weaving.
The collection contains items spanning the period from 1550 to the 1970s and holds particular strengths in costume history, handicrafts and textile design. Collection interests include numerous examples of French manufacturers’ sample books of fabrics, lace, ribbons and trims; treatises on textile production; dye manufacturers’ formula ...
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