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Tolkien's The Lord of the Rings (1954–1955) became extremely popular and was extensively imitated. His elves have formed the view of elves in modern fantasy like no other singular source. In the 1960s and afterwards, elves similar to those in Tolkien's novels became staple, non-human characters, in high fantasy works and in fantasy role ...
The framework for J. R. R. Tolkien's conception of his Elves, and many points of detail in his portrayal of them, is thought by Haukur Þorgeirsson to have come from the survey of folklore and early modern scholarship about elves (álfar) in Icelandic tradition in the introduction to Íslenzkar þjóðsögur og æfintýri ('Icelandic legends and fairy tales').
Tolkien's Elves remain unwearied with age. They can recover from wounds which would be fatal to a Man, but can be killed in battle. Spirits of dead Elves go to the Halls of Mandos in Valinor, a sort of Earthly Paradise, for an afterlife. After a period of rest that serves as "cleansing", their spirits are clothed in bodies identical to their ...
Tolkien was not the first author to create fictional worlds, as George MacDonald and H. Rider Haggard had done so, and were praised for their "mythopoeic" gifts by Tolkien's friend and fellow-Inkling C. S. Lewis. [19] Tolkien however went much further, spending many years developing what has been called a mythology for England, starting in 1914.
Tolkien's fiction began to acquire respectability in academia only at the end of his life, with the publication of Paul H. Kocher's 1972 Master of Middle-Earth. [41] Written before the publication of The Silmarillion, Kocher inferred or guessed many of the key points about Tolkien's writings, later confirmed by Christopher Tolkien's research ...
In Tolkien's scheme, the highest Elves are those who deviated least from their initial state (complying with the will of the Valar, travelling to Valinor, and continuing to speak the highest language, Quenya). Conversely, the lowest Elves, the Avari, fragmented into many kindreds with different languages as they eventually spread out across ...
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...
In Tolkien's works, Elves are immortal, their shades going to the Halls of Mandos after death, and marriage is forever. [ T 7 ] Tolkien noted that had Finwë chosen differently, the whole history of Middle-earth would have changed for the better, thus making his choice a pivotal event in the mythology; it showed the importance Tolkien attached ...