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There are rules concerning the number of tatami mats and the layout of the tatami mats in a room. In the Edo period, "auspicious" (祝儀敷き, shūgijiki) tatami arrangements and "inauspicious" (不祝儀敷き, fushūgijiki) tatami arrangements were distinctly differentiated, and the tatami accordingly would be rearranged depending on the ...
In Japan, a traditional reed mat is the tatami (畳). Tatami are covered with a weft-faced weave of soft rush (藺草, igusa) (common rush), on a warp of hemp or weaker cotton. There are four warps per weft shed, two at each end (or sometimes two per shed, one at each end, to cut costs).
The size of a washitsu is measured by the number of tatami mats, using the counter word jō (畳), which, depending on the area, are between 1.5 m 2 and 1.8 m 2. (See tatami.) Typical room sizes are six or eight tatami mats in a private home. There are also half-sized mats, as in a 4.5-tatami room.
A tea room may have a floor area as small as 1.75 tatami mats (one full tatami mat for the guests plus a tatami mat called a daime (台目), about 3/4 the length of a full tatami mat, for the portable brazier (furo) or sunken hearth (ro) to be situated and the host to sit and prepare the tea); or as large as 10 tatami mats or more; 4.5 mats is ...
[2] [3] [4] At Katsura, the mats are used to create the sprawling and pinwheel-like plan that it has today. The terraces and porches created by the arrangement of the tatami mats provide opportunities to view the landscape and link interior spaces with the outside world. [4] The floors of each building of the site are also raised as well, which ...
The layout of Jo-an Latticed bamboo window. Jo-an is approached through the roji ('dewy ground') garden. It consists of a chashitsu (tea room), a three tatami mat mizuya (preparation room), and a one-and-a-half tatami mat rōka no ma (corridor room). The chashitsu is composed of two and a half tatami mats, a daime (three quarter tatami mat ...
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