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Various terms for the diatonic button accordion are used in different parts of the English-speaking world. In Britain and Australia, the term melodeon (Scottish Gaelic: meileòidean or am bogsa) is commonly used, [1] regardless of whether the instrument has one, two, or three rows of melody buttons.
Diatonic button accordion (German make, early 20th century). The term squeezebox (also squeeze box , squeeze-box ) is a colloquial expression referring to any musical instrument of the general class of hand-held bellows -driven free reed aerophones such as the accordion and the concertina .
In 1920s the special government commission took several researches and finally decided that all handicraftsmen had to unite into centralized cooperative factories (artels) and must produce only three types of button accordions: khromka, bayan (chromatic button accordion) and the Russian modification of a German bisonoric diatonic accordion ...
The Cajun accordion is generally defined as a single-row diatonic accordion, as compared to multiple-row instruments commonly used in Irish, Italian, polka, and other styles of music. The Cajun accordion has four reed ranks , i.e., four reeds for each melody button, and each reed bank is controlled by a corresponding stop or knob on the top of ...
The diatonic 2-row button accordion with eight bass buttons is still very common in northeast Brazil. [6] It is known as the fole to distinguish it from the piano accordion. [6] It first appeared there in the late nineteenth century. [6] Previously, one-row diatonic button accordions with two bass buttons were used. [6]
A Steirische Harmonika. The Steirische Harmonika (Austrian German pronunciation: [ˈʃtaɪrɪʃɛ harˈmoːnika]) is a type of bisonoric diatonic button accordion important to the alpine folk music of Croatia (Hrvatsko zagorje), Slovenia, the Czech Republic, Austria, the German state of Bavaria, and the Italian South Tyrol.
Performance featuring a trikiti with tambourine accompaniment. The trikiti [1] (standard Basque, pronounced ) trikitixa (dialectal Basque, pronounced ), or eskusoinu txiki ("little hand-sound", pronounced [es̺kus̺oɲu tʃiki])) is a two-row Basque diatonic button accordion with right-hand rows keyed a fifth apart and twelve unisonoric bass buttons.
It had five or seven buttons on the right keyboard, and like in the most Western diatonic accordions it produced different sounds on pull and push. So Tula garmon had two full diatonic octaves (from C4 to C6). The left bass keyboard had two buttons. Tula garmon was a base for all the Russian diatonic bisonoric garmoshkas (Saratov, Kasimov etc.)
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