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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
VI mono power amplifier of 1976, which produced 120 watts (continuous). In later years, the company began to produce a line of solid-state audio components, commencing in 1966 with the introduction of the Stereo 120 power amplifier (60 wpc). Because of early problems involving circuit, power supply, and transistor failures, the ST 120 was not ...
The power amplifier uses four 6L6GC tubes in the power section in class AB. It has 120 watts RMS output power, into 16, 8 or 4 Ohms. The effects loop can be bypassed with a footswitch. It features separate inputs for both high and low gain. The amplifier has two channels, rhythm and lead.
The Memphis also marked the return of combo amplifiers to the Fryette line. The Class A, 2 channel Memphis Thirty 1x12 was the first amp in the new Memphis Series and features EL84 power tubes, 30 Watt & 18 Watt power modes & a unique removable hatch on the front panel allowing users to easily access and change pre-amp tubes.
Blackstar's line of digital programmable amplifiers are available in 60 and 100 watt head format and 15, 30, 60 and 120 watt combo format. Along with the ISF and Emulated output, they also possess powerful digital preamps with 128 unique storage banks to store your settings. Blackstar amplifiers in a store in London, UK
Throughout the original Sunn Amplifier line they employed Dynaco designed and built transformers (up to the 120 watt MK VI transformer set) and Hafler based power amp designs until Sunn stopped producing the original line of tube amplifiers in favor of the solid-state Concert and Coliseum models. Later Sunn produced the electronically unrelated ...
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