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Giorgio Morandi (July 20, 1890 – June 18, 1964) was an Italian painter and printmaker widely known for his subtly muted still-life paintings of ceramic vessels, flowers, and landscapes—their quiet, meditative quality reflecting the artist's rejection of the tumult of modern life.
The Accademia di Belle Arti di Bologna ('academy of fine arts of Bologna') is a public tertiary academy of fine art in Bologna, Italy. [2] It has a campus in Cesena . Giorgio Morandi taught engraving at the Accademia for more than 25 years.
Unlike the Netherlands, the painting of still life and genre painting did not attract as many practitioners among Italian painters. This is a partial list of still life painters active or born in Italy, concentrating on painters from before the 20th century.
Gwyn Hanssen Pigott was born Gwynion Lawrie John on 1 January 1935 in Ballarat, Australia. [2] She was the second of four daughters. Her father was director of an engineering firm and her mother an eclectic arts and crafts teacher–practitioner who surrounded her children with craft objects she had made.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
June 18 – Giorgio Morandi, still life painter (b. 1890) June 24 – Stuart Davis, painter (b. 1892) June 26 – Gerrit Rietveld, designer and architect; July 21 – Jean Fautrier, painter and sculptor (b. 1898) August 12 – Ernst Kühnel, German art historian (b. 1882) [15] August 31 – Peter Lanyon, landscape painter (b. 1918)
Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which ...
Mattioli had not planned to be involved in art. Her father had other ideas and had Laura begin training in art history with a family friend. [4] From 1975 to 1981, she taught at the Università degli studi di Milano and at the Accademia Carrara from 1992 to 1999. Along with teaching, Mattioli has organized many exhibitions including: Barry X Ball.
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