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The Very Best of Chicago: Only the Beginning is a double greatest hits album by the American band Chicago, their twenty-seventh album overall.Released in 2002, this collection marked the beginning of a long-term partnership with Rhino Entertainment which, between 2002 and 2005, would remaster and re-release Chicago's 1969–1980 Columbia Records catalog.
The Best of Chicago: 40th Anniversary is a double greatest hits album, and the thirty-first album overall, by American rock band Chicago, released by Rhino Records on October 2, 2007. It consists of two discs containing 30 of Chicago's top 40 singles.
Terry Alan Kath (January 31, 1946 – January 23, 1978) was an American guitarist and singer who is best known as a founding member of the rock band Chicago.He played lead guitar and sang lead vocals on many of the band's early hit singles alongside Robert Lamm and Peter Cetera.
A shorter version at 2:46 (starting midway through the trumpet solo) was issued as a promotional single, which finally appeared on 2007's The Best of Chicago: 40th Anniversary Edition. A live version on the Chicago at Carnegie Hall box set presents an expanded version of the "free form" intro, which itself is given its own track.
Chicago IX proved to be an enormous success upon its release. It reached No. 1 in the US and remained on the Billboard 200 for a total of 72 weeks. [2] It has since been certified quintuple platinum by the RIAA, signifying sales of over five million copies. [3] Chicago IX was reissued by Rhino Records, Chicago's current distributor. The album ...
Classic Rock Review says the song is "one of the most indelible Chicago tunes". [14] In 2019, Bobby Olivier and Andrew Unterberger, music critics for Billboard magazine, ranked the song number one on their list of "The 50 Best Chicago Songs". [15] Guitar World rated "25 or 6 to 4" No. 22 for "greatest wah solos of all time." [16]
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"Ballet for a Girl in Buchannon" , also known as "The Ballet" and "Make Me Smile Medley", is a nearly thirteen-minute mini-rock opera/song cycle/suite from Chicago's 1970 album Chicago (also called Chicago II). It was the group's first attempt at a long-format multi-part work.